- Disc 1:
-
- Air on the G String (J.S. Bach, arr. Stokowski) BBC Philharmonic/ Mathias Bamert
- Largo (from 'Winter' of Vivaldi's The Four Seasons) Bournemouth Sinfonietta/ Ronald Thomas
- Canon (Pachelbel) Academy of St. Martin in the Fields Chamber Ensemble
- Sheep May Safely Graze (J.S. Bach, arr. Stokowski) BBC Philharmonic/Matthias Bamert
- Apres un reve (Faure, arr. Peter Graham) Philip McCann (cornet)/Sellers Engineering Band/Roy Newsome
- Bridal March (from Wagner's Lohengrin) Michael Austin (organ)
- Arrival of the Queen of Sheba (from Handel's Solomon) Cantilena/Adrian Shepherd
- Trumpet Tune (Purcell) Michael Austin (organ)
- March (from Handel's Judas Maccabaeus) Collegium Musicum 90/Simon Standage)
- Alla Hornpipe (from Handel's Solomon) The Scottish Chamber Orchestra/Sir Alexander Gibson
- Trumpet Voluntary (Clarke) Michael Austin (organ)
- I Was Glad (Parry) Roderick Elms (organ)/London Symphony Chorus London Symphony Orchestra/ Richard Hickox
- God Is Gone Up (Finzi) The Finzi Singers/Paul Spicer
- Panis Angelicus (Franck, arr. Gordon Langford) Phillip McCann (cornet)/Simon Lindley (organ) Boys of Leeds Parish Church Choir/Sellers Engineering Band/Roy Newsome
- The Lord Is My Shepherd (Psalm 23) (Crimond, arr. H. Roberton) Rhos Orpheus Male Voice Choir/J. Glyn Williams
- Ave Maria (Bach/Gounod, arr. Phillip McCann) Phillip McCann (cornet)/Lain Robertson (organ)
- Ave Maria (Schubert, arr. Phillip McCann) Phillip McCann (cornet)/Malcolm Hicks (organ)
- Come Down, O Love Divine (Vaughan Williams) Choir of Worcester Cathedral/Christopher Robinson
- Praise My Soul the King of Heaven (Goss, arr. Gordon Langford) Besses O' Th' Barn Band
- Greater Love Hath No Man (Ireland) Paula Bot (soprano)/James Oxley (tenor)/London Symphony Chorus/London Symphony Orchestra/Richard Hickox
- Disc 2:
-
- Air (from Handel's Water Music) The Scottish Chamber Orchestra/Alexander Gibson
- Priere Notre-Dame (from Boellmann's Suite gothique) Ian Tracey (organ)
- Concerto for 2 Violins in D minor, 2nd movement (J.S. Bach) Collegium Musicum 90/Simon Standage
- Chanson de matin (Elgar) Bournemouth Sinfonietta/Norman Del Mar
- Laudate Dominum (from Mozart's Solemn Vespers) Phillip McCann (cornet)/Simon Lindley (organ) Boys of Leeds Parish Church Choir
- Salut d'amour (Elgar) Nigel Kennedy (violin) Steven Isserlis (cello)/Peter Pettinger (piano)
- Meditation (from Massenet's Tha=EFs) Yuri Torchinsky (violin)/BBC Philharmonic/Yan Pascal Tortelier
- Jesu Joy of Man's Desiring (from Bach's Cantata 147) Michael Austin (organ)
- Cantique de Jean Racine (Faur=E9, arr. John Rutter) Huddersfield Choral Society / BBC Philharmonic/Vernon Handley
- Wedding March (from Mendelssohn's A Midsummer Night's Dream) Michael Austin (organ)
- Toccata in G (Dubois) Francis Jackson (organ)
- Organ Sonata No. 2, 3rd movement (Mendelssohn) Piet Kee (organ)
- Hallelujah Chorus (from Handel's Messiah) Collegium Musicum 90/Richard Hickox
- Toccata (from Widor's Symphony No. 5) Ian Tracey (organ)
- March triomphale - Nun danket alle Gott (Karg-Elert) Michael Auston (organ)
- Andante (from Stanley's Trumpet Voluntary, Op. 6 No. 5) Richard Marlow (organ)
- Finale (from Saint-Sains' Symphony No. 3) Gillian Weir (organ)/Ulster Orchestra/Yan Pascal Tortelier=
Prekės Aprašymas
Once upon a time Martians and Venusians met, fell in love, and had happy relationships together because they respected and accepted their differences. Then they came to earth and amnesia set in: they forgot they were from different planets.
Using this metaphor to illustrate the commonly occurring conflicts between men and women, Gray explains how these differences can come between the sexes and prohibit mutually fulfilling loving relationships. Based on years of successful counseling of couples, he gives advice on how to counteract these differences in communication styles, emotional needs and modes of behavior to promote a greater understanding between individual partners. Gray shows how men and women react differently in conversation and how their relationships are affected by male intimacy cycles ("get close", "back off"), and female self-esteem fluctuations ("I'm okay", "I'm not okay"). He encourages readers to accept the other gender's particular way of expressing love, and helps men and women learn how to fulfill each other's emotional needs.
With practical suggestions on how to reduce conflict, crucial information on how to interpret a partner's behavior and methods for preventing emotional "trash from the past" from invading new relationships, Men Are from Mars, Women Are from Venus is a valuable tool for couples who want to develop deeper and more satisfying relationships with their partners.
Papildoma informacija
| Atlikėjas | MEN ON MARS |
|---|---|
| Pavadinimas | F**K THE S**T |
| Formatas | CD-S |
| Barkodas | 8019991726297 |
| Leidėjas | RISE |
| Kodas | RISECD538 |
| Pradėta prekiauti | 2011.07.28 |
| Žanras | HOUSE |
| Kilmė | Global |
| ID | K42186 |
| Dirigentas | Ne |
| Ilgas pavadinimas | Ne |
| Instrumentai | Ne |
| Orkestras | Ne |
| Solistai | Ne |
| Žanras | Ne |
| DVD info | |
| Pristatymo laikas darbo dienomis (galioja tik Lietuvoje) | 14 - 30 |













